Tag: #blog

Watch “SECRET GULLY | THE BOY WITH NO NAME (Pt .2) | Little Lights” on YouTube

Inspired by a real life 5 year old I met one monsoon at a school for slum kids,

you’d never forget ‘Raju’ the school called him. His folks called him ‘chokra’ for street boy. There was no hatred at his home, only the face of poverty, the numbing face of sleepless days and nights. His parents were construction workers.

When Raju first arrived in a pair of oversized torn shorts, shirtless and with eyes like tiny thunder, he wouldn’t speak. I was story telling art teacher; we did some fun things, enacting Jesu in the boat. Raju loved being the storm.

By the third day we knew he loved drawing – with one crayon, the black one. He drew thick circles in black, then some more. Pages of black circles.

I was recovering from 3 years of a fever no one could diagnose, it could’ve been anything, but I was there every morning as a part of my own ‘get well’ project;

It was, is an unforgettable thing – to experience that sinking feeling of instability, physical failing, & be in a ‘Gully’ that thick with hope.

Lil Raju and I became speechless friends as we learned the power of blue against black, or orange with grey, yellow with maroon. He called me “didi”, big sis.

Every morning he was there, waiting for Art class, and drama, in the street opposite the tea shop.

On the last day I ever saw him he clutched my hand and said, “Didi mujhe ghar leke jao” (didi, take me home)

I loved him with all my heart, and I couldn’t take him home with me. There were at least 50 others like him but ofcourse Raju was the one no one liked. He was full of lice, his fingers were quick, he knew how to steal, he understood the street, he was scary to most. To me he was that little baby boy I couldn’t take home. But forever and ever he lives in my heart.

The boy with no name” is a fantasy offering that has little pieces of my own life woven in its prayers for joy, for all our streets, infested with poverties of more horrific proportions than we could’ve guessed. Do watch if you have the moment: return to childhood, listen again to that Still Small Voice that ceaselessly whispers to the heart of a child within us, or around. If there’s a kid (or kiddy- like human:) in your home, or neighbourhood, do share. This is the second episode. (Part I, U tube, also below).

Wishing you ‘The Light of the World.’

Shine, k?

Episode 1.
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Healing from one bullet

I just saw this piece by Malala. If you haven’t heard about her, read on.

The chaos being experienced right now is not a distant event: it is the scream of humans that will follow us in ways we can’t know yet. What can we do? I’m praying. There’s people praying that those who can make a difference will do so.

https://podium.bulletin.com/269177711419542

Something beautiful

Something red, Patti

You can cut all the flowers but you cannot keep Spring from coming.” ― Pablo Neruda

Quote — Charmed Chaos

From sun garden@hospital park, yesterday. Botanical name for ‘Crown of thorns’.. unsure, but I hear this one is best found in Madagascar

Euphorbia milii, the crown of thorns, Christ plant, or Christ thorn, called Corona de Cristo in Latin America, is a species of flowering plant in the spurge family Euphorbiaciae, native to Madagascar. The species name commemorates Baron Milius, once Governor of Réunion, who introduced the species to France in 1821. Wikipedia

“What ‘Abide With Me’ means to India,” writes Gopalkrishna Gandhi – columns – Hindustan Times

Hindustantimes.com/columns/what-abide-with-me-means-to-india/

Thankyou Sam T. for this Link I had to repost. It’s a worthy 5minutes’ good long look via Indian Republic celebrations to ‘one of the world’s most moving songs…….’ Article written by Gopalkrishna Gandhi

read on

Indias 71st!
Art : Raylarn

“…All in fact is still, all quiet in expectation of a musical experience that goes beyond music to life, to the theatre where life itself stands still — in the complete uncertainty of the next moment, the next fraction of the second…..

at that moment, the massed bands of our three armed services begin slowly to play the penultimate number in the evening’s musical sequence.

Abide With Me has to be among the world’s most moving hymns.

Written by the Scottish Anglican H. Francis Lyte in 1847, it draws its opening words from the Bible, Luke 24:29, “Abide with us: for it is toward evening, and the day is far spent.” Its last but one verse draws from the Bible again, 1 Corinthians 15:55, “O death, where is thy sting? O grave, where is thy victory?”. But that is only an incidental detail. The verse has grown from out of human loss, deprivation, sorrow. Lyte, it is said, wrote it after visiting a dying friend who , as Lyte sat beside him, kept saying “Abide with me…”.

The song wafts on its tune. Indeed, without that tune, the song would have lain on paper. The melody composed by William Henry Monk in 1861 goes by the name of “Eventide”, meaning, quite simply, evening. And if the song has to be among the world’s most moving hymns, that tune has to be among the world’s most heart-wrenching melodies. I wish the words of this column could reproduce its transporting notes. Readers may wish to reach for them through the Internet.

The words and the tune of “Abide With Me” have, for the last half-a-century, become Beating Retreat’s most memorable passage. As the last note of the hymn subsides, the bells from the Church of the Redemption, nearby, peal in pure pathos. To say not one person moves, not one shuffles in his or her seat would be to exaggerate. To say that not one eye is dry, not one throat unconstricted would be to exaggerate. But that is about as near the truth as there can be. The experience is deeply, profoundly moving.

For it brings to mind after our great Republic Day, where our armed forces have been celebrated, the sacrifice of those bravehearts who have laid down their lives for the country and their kin who have endured the loss so bravely.

Beating Retreat has been an eclectic event, bringing military and civilian sensibilities together in a unique ceremony(Mohd Zakir/HT PHOTO)

New Delhi, January 29.

The year? Any year in the decade starting with 1950 to the one that has just ended.

The winter sun dips behind Raisina Hill. It seems not to want to go, but cannot linger. And as it goes, it swathes the house of India’s President atop that hill with a halo of golden twilight. The North and South Blocks beside it, similarly, turn bronze. These are lights from the sky. Nature’s illuminings, not tawdry emissions from bulbs and tubes held by wires.

Stately camels from the Bikaner Camel Corps of the Border Security Force line the red sandstone ramparts, standing silhouetted along the slopes rockstill. Full-maned horses from the 61st Cavalry stand motionless with their statuesque Sowars…..

Abide with me / fast falls the eventide/The darkness deepens; Lord, with me abide/When other helpers fail and comforts flee/Help of the helpless, oh, abide with me.

The words are clearly Christian, about God. But they are in their core about that source, whatever one may call it, of strength that is needed by those who feel vulnerable, insecure, bereft. It is about wanting to survive loss, outlast bereavement. And to overcome grief. The words are universal, the tune human.

Who does the verse affront ? What does it offend ? Has anyone been, can anything be, hurt by a song that is about the healing of hurt ? And so I want to disbelieve reports that the ministry of defence plans to take this great hymn out of the sequence of music for Beating Retreat, January 29, 2020….

Beating Retreat has been an eclectic event, bringing military and civilian sensibilities together in a unique ceremony. It has traditionally ended with the soul-stirring Saarey Jahan Se Achha Hindostan Hamara. I believe in that line’s assertion. But today, I must invoke the lines from Abide With Me :

…O Thou who changest not, abide with me…”

….

Gopalkrishna Gandhi is a former administrator, diplomat and governor. The views expressed are personal.